|
|
 |
Darmstadt Internationale Ferienkurse 2000 |
| 1 |
|
Cruxification II (Johannes Kalitzke) - Kanon |
06:28 |
 |
|
|
 |
|
|
|
| 2 |
|
- Spiegelreflex |
05:50 |
 |
|
|
 |
|
|
|
| 3 |
|
- Schlachthaus |
04:02 |
 |
|
|
 |
|
|
|
| 4 |
|
- Fadenkreuz |
08:47 |
 |
|
|
 |
|
|
|
| 5 |
|
Philipp (Helmut Oehring) |
06:10 |
 |
|
|
 |
|
|
|
| 6 |
|
Pas à pas (Misato Mochizuki) |
08:21 |
 |
|
|
 |
|
|
|
| 7 |
|
Traces de moments (Isabel Mundry) |
13:40 |
 |
|
|
 |
|
|
|
| 8 |
|
Invisible Cities (Alwynne Pritchard) |
07:39 |
 |
|
|
 |
|
|
|
| 9 |
|
as mo cheann (Jennifer Walshe) |
12:19 |
 |
|
|
 |
|
|
|
 |
|
|
|
|
|
1CD | Contemporary | Special Offers |
|
 |
 |
| Recommendation |
|
|
|
|
„Achad“ is to be understood as a result of a musically tracking of spiritualitiy and temporality - a quest on which the listener is invited, too.  |
 |
|
|
|
|
With their 2nd Album the 5 austrian wunderkinder - better known as Alma - are back at it again and show us once more what traditional austrian folk music has to sound like nowadays.  |
 |
|
|
|
|
Maderna’s oboe concertos: a remarkable amalgamation of serialism, polyphone interweavings, sound poetry and delicate lyricisms.  |
 |
|
|