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Darmstadt Internationale Ferienkurse 2000 |
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Cruxification II (Johannes Kalitzke) - Kanon |
06:28 |
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| 2 |
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- Spiegelreflex |
05:50 |
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| 3 |
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- Schlachthaus |
04:02 |
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| 4 |
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- Fadenkreuz |
08:47 |
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| 5 |
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Philipp (Helmut Oehring) |
06:10 |
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| 6 |
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Pas à pas (Misato Mochizuki) |
08:21 |
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| 7 |
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Traces de moments (Isabel Mundry) |
13:40 |
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| 8 |
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Invisible Cities (Alwynne Pritchard) |
07:39 |
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| 9 |
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as mo cheann (Jennifer Walshe) |
12:19 |
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Total Time |
01:13:16 |
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| Digital Booklet - only with album |
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1CD | Contemporary | Special Offers |
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| Recommendation |
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Une Soirée Vian (1991): on the borderline between opera, oratorio and cabaret Denys Bouliane investigates the heritage of the French writer Boris Vian.  |
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| In 1993, the Salzburg Festival presented Nono as a sound seeker in their series "Zeitfluss", focusing on Das atmende Klarsein (1980/81). |
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| Using a Mozart Quintet as a starting point, Moritz Eggert designs a new, contemporary world of sound: »Amadé Amadé«. A musical exorcism – and a col legno production made to measure! |
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