|
|
 |
Darmstadt Internationale Ferienkurse 2000 |
| 1 |
|
Cruxification II (Johannes Kalitzke) - Kanon |
06:28 |
 |
|
|
|
|
|
|
| 2 |
|
- Spiegelreflex |
05:50 |
|
|
|
|
|
|
|
| 3 |
|
- Schlachthaus |
04:02 |
|
|
|
|
|
|
|
| 4 |
|
- Fadenkreuz |
08:47 |
|
|
|
|
|
|
|
| 5 |
|
Philipp (Helmut Oehring) |
06:10 |
|
|
|
|
|
|
|
| 6 |
|
Pas ŕ pas (Misato Mochizuki) |
08:21 |
|
|
|
|
|
|
|
| 7 |
|
Traces de moments (Isabel Mundry) |
13:40 |
|
|
|
|
|
|
|
| 8 |
|
Invisible Cities (Alwynne Pritchard) |
07:39 |
|
|
|
|
|
|
|
| 9 |
|
as mo cheann (Jennifer Walshe) |
12:19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1CD | Contemporary | Special Offers |
|
|
|
| Recommendation |
|
|
|
|
“Its eyes are wide open, its mouth is agape, and its wings are stretched out. The angel of history must look like this. It has turned its face toward the past…“  |
|
|
|
|
|
| The Austrian composer Klaus Lang wrote a mass for the musikprotokoll at Steirischer Herbst that clears the mind. |
|
|
|
|
|
| The maximalist among American composers: Powerful harmonies, elegant handicraft, and a penchant for musical tradition characterizes Wuorinen’s oeuvre for piano. |
|
|
|
