Quiet Riots - the "debut album" as duo of Peter Herbert & Wolfgang Mitterer
Simon Öggl explores a musical landscape oscillating between affiliation and alienation.
A musical look from the future to the present.
Musical places where apparently motionless and dead things are going to be transformed into living and present forms.
With all the sparkling strength Michele Marco Rossi is capable of, he executes music as if already in the future (Ivano Fossati).
“Windspiel” by the Dandelion Quintett is a mixture between harmonic and programmatic masterpieces for woodwinds and forward-looking opening.
The combination of percussion instruments and electronics opens up a immersive sonoric landscape
Klangforum Wien presents works by the (almost) forgotten composer Lucia Dlugeoszewski.
There’s a future in being on the move. The new album "Wunderrad" by the Alpine chamber music ensemble Knoedel tells twelve musical stories about wonder and wonder.
En dehors is the debut album of the aspiring chamber music ensemble Spectrum Saxophonquartett
10 years after the release of "Whatever Shall Be - music for toy instruments and electronics" we present the digital extendet version of the album.
"La Melodia della Strada" is a musical journey through the fantastic world of the italian film maker Federico Fellini.
The interwaving of early and new music creates a unique Marian Vespers that litterally celebrates birth and life.
The album contains all of Karlheinz Essl’s organ works, written between 1986 and 2021 and recorded by Wolfgang Kogert on the Kuhn organ of the Imperial Court Chapel in Vienna.
The adventure is going on! Selected pieces of live electronic music practices since the emerging of digital technologies, from 1986 to 2007.
"Interploitation" is the third studio album of the cellist Lukas Lauermann. He intervens in own recordings and create new pieces from it.
Josef Novotny & Peter Herbert for the first time as duo. In "prolifics" precision meets fre improvisation.
An adventurous journey into into the vastness of fantasy: orient meets occident.
Drawing influences from minimalist and improvised music, m o s fuses spontaneous interplay with meticulous structures.
