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| New Release |
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Ketan Bhatti: Nodding Terms |
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| New music and groove – does it work and does it exist? Musical crossover artist Ketan Bhatti nods ... and delivers proof with his remarkable solo debut Nodding Terms on which he teams up with the German-Icelandic Ensemble Adapter as well as his studio neighbours Paul Frick and Jan Brauer (from Brandt Brauer Frick)! [...] This is music which without fail makes the listener nod along – as per the album title. Not just because of its beat, but because it’s clever, too. Find the album right here. |
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Wolfgang Mitterer: 9in1 |
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The one and only Wolfgang Mitterer has his hands on a powerful new project right now and we're lucky and grateful to present and share it with you very soon ... so stay tuned and watch out!
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Franui: Ständchen der Dinge |
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Franui celebrate their twenty-fifth year – a welcome occasion for an anniversary album, with many guests and fellow travellers, some new pieces, some old but previously unreleased recordings, and some of their greatest musical moments from the past quarter century, including tracks from albums that have been out of print for years. The rest is history! Find the album right here.
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Gnigler: Straight On, Downstairs, 2nd Door Left |
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Founded in 2013 by the young Austrian saxophonist Jakob Gnigler, the sextet has created its own musical world, full of the unexpected and the unpredictable. The individual versus the collective, composition versus improvisation, listening habits versus artistic intention – everywhere, contrasts are celebrated, established thought pa erns questioned, hierarchies upended. Find the album right here.
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Xiaoyong Chen: Imaginative Reflections |
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| The sounds on this album seem to come from another world. They spread through space, then disappear, or rather: fade away, evaporate, crystallize, settle as a sediment. This music is about fading away, about reverberations, echoes. European instruments sound Asian, and Asian instruments are integrated into European art music. Find the album right here. |
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Arvo Pärt: Anima |
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This album is the first-ever compilation of all compositions by Pärt that have been transcribed for saxophone quartet – revealing them, so to speak, without words, “only” through breath, through oscillating columns of air. The Italian Alea Saxophone Quartet master this task brilliantly. Find the album right here. |
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Lukas Lauermann: How I Remember Now I Remember How |
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He plays the cello with celebrated indie bands, writes music for theatre and lm productions, realizes sound improvisations: now Lukas Lauermann presents his solo debut, and invites us to listen into “the great spaces all around” – spaces of memory, chambers of sensation, places of yearning. “Barrier-free modern classical music.” Find the album right here.
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| Marino Formenti |
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Notturni |
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A "Best-Of" the extraordinary late night concerts with Marino Formenti, recorded at WIEN MODERN 2011!  |
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| Trio Catch |
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In Between |
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| Of transgressions and abysses, dangers and beauty: Trio Catch! |
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| John Cage |
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Melodies & Harmonies |
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| "Six Melodies" (1950) and "Thirteen Harmonies" (1985): Annelie Gahl (violin), Klaus Lang (Fender Rhodes) and col legno present an excitingly accessible John Cage. |
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| Franui & Florian Boesch: ALL WAS WELL AGAIN |
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| Alma: Oeo (Teaser) |
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| iris electrum: of tigers and owls (no future, no past) |
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| CPSS: Bold |
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| Morton Feldman |
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Triadic Memories |
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| The sound as the center of being: grown from silence, Feldman reaches the bounds of comprehensibility in Triadic Memories. |
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| Morton Feldman |
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For Bunita Marcus |
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| "This work, which I have dedicated to Bunita Marcus, [...] deals with the death of my mother, and with the notion of a slow death." |
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| Marino Formenti |
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Nothing is real |
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| A desert island CD! Or a bathtub CD, at any rate: Nothing is real, compiled and exceptionally performed by Marino Formenti. |
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| Steven Stucky |
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| Listening to Contemporary Music |
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| A timeless keynote about finding a relationship to music of our times. |
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