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Lukas Lauermann: I N |
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Cellist & composer Lukas Lauermann proudly presents his 2nd solo recording. This work, titled “I N”, illustrates a very particular state: Someone does some soul-searching by looking INward – and in the same instance is receiving external INput and you may simply let yourself sink INto it! Find the album right here. |
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Thomas Wally: Jusqu'à l'aurore |
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| The compositions of native Viennese Thomas Wally (1981), which the fabled Mondrian Ensemble have so marvelously put down on this, the composer’s first portrait recording, might just be considered the dawn of the latest in new music. We can marvel at the unique language and character in Wally’s works from the last ten years and at his keen desire for experimentation and liberty which he combines with the utmost of conceptual seriousness. Find the album right here. |
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Emily Stewart: The Anatomy of Melancholy |
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Wait, don’t I know that name... “Emily Stewart”? Probably you do: born in London and raised in Costa Rica, the violinist and composer Emily Stewart now lives in Vienna now presenting her very own debut album, which is an utterly convincing and eclectic combination of classical, jazz and folk elements with a dash of improvisation and a soupçon of a singer-songwriter‘s perspective. Truly recommended. Find the album right here.
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Les Espaces Électroacoustiques II |
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| After the highly respected first part of the "Les Espaces Électroacoustiques", further milestones of electroacoustic music appear in an adequate and informed reproduction. The Institute for Computer Music and Sound Technology (ICST) at the Zurich University of the Arts ensures once more with its extensive know-how and up-to-date 5.1 surround mix a unique sound experience. Find the album right here. |
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Boulez / Manoury: Le Marteau sans maître / B-Partita |
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| Pierre Boulez’ Le Marteau sans maître is one of the essential compositions of the 20th century. Now, for the very first time, this masterpiece appears on the same record as B-Partita, a tribute of French composer Philippe Manoury’s (*1952) to Boulez - brought together by Daniel Kawka and the Ensemble Orchestral Contemporain. Arriver avec plaisir! Find the album right here. |
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Franui: Ennui |
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| In musical terms, amusement means divertimento. From brilliant examples of this genre, Franui have woven a memorable musical tale with themes by Mozart, Satie, Schumann, and others. All there is left to say is: amuse yourselves! Find the album right here. |
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Edition III |
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Our latest releases this time are rather special: they premiere our 3rd and final edition! In line with its name, “III”, it proudly sports a tripartite artwork and opens up the 3rd dimension of col legno’s very own universe. Its main characteristics are reduction, minimalism and total artistic freedom and thereby reflects the digital within the analog so to say ... and for this very special occasion we have selected three very special artists from Italy, Austria and France as our premiere guests, all of whom pursue a very own approach in their three very different programmes, by totally matching and representing the idea and the spirit of "III".  |
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Coastline Paradox: Welf & Eiger |
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| On Welf & Eiger, the quintet Coastline Paradox - following their name - are active in exactly that space between ocean waves and landmass, between sea spray and scree, movement and rigidity, fluid and fixed. This area is all one experimental field. Translated into the music this means, in the words of Richard Köster, the ensemble’s founder, trumpeter and composer: ”The more closely you examine it, the more nuances you can discover.” Find the album right here. |
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Christian Winther Christensen: Almost in G |
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A distinctive language, an original tone, a unique voice – all these phenomena are rarely experienced as convincingly as in Christian Winther Christensen’s music. Earlier periods may flicker up once in a while, yet this music is fundamentally and radically of the 21st century. Yes, these are classical instruments. And yes, this is New Music. But the familiar elements are assembled and rearranged in ways that make you want to listen to this music again and again, wherever you are, whatever you’re doing ... and regarding SCENATET we're delighted to welcome one of the most innovative ensembles in Europe with us at col legno! Find the album right here. |
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| Ketan Bhatti |
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Nodding Terms |
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| New music and groove – does it work and does it exist? Musical crossover artist Ketan Bhatti nods ... and delivers proof with his solo debut Nodding Terms! |
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| Franui |
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Schubertlieder, Brahms Volkslieder, Mahlerlieder |
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| Schubert–Brahms–Mahler: Franui’s magical lieder triangle has now finally been assembled in a box. |
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| Trio Catch |
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Sanh |
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| “Trio Catch are like a fresh new brand for the old lady New Music.” (www.vanmagazin.com) — Could there be a catchier way of phrasing it? |
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| Emily Stewart: Fair |
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| Franui & Florian Boesch: ALL WAS WELL AGAIN |
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| Coastline Paradox: Teaser |
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| SCENATET: Nice Guys Win Twice |
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| Martin Ptak: River Tales (Live) |
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| Lukas Lauermann: wir sind abgründe (ein brunnen der in den himmelschaut) |
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| Alma: Oeo (Teaser) |
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| iris electrum: of tigers and owls (no future, no past) |
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| Alma: Morocco |
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| CPSS: Bold |
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| John Cage |
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Prepared Piano |
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| A virtue out of necessity: under Cage’s hands the preparation of the piano developed from a flash of inspiration into a distinctive mode of expression. |
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| Helmut Lachenmann |
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Allegro Sostenuto |
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| Resonance and motion take center stage in Allegro Sostenuto. Lachenmann’s “idea of a musique concrète” bears remarkable fruit in Pression and Dal niente. |
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| Vinko Globokar |
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Eisenberg |
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| Archaic sounds, songs as psychodramas, plowing through the depths and shallows of the orchestra: experience Globokar’s cosmos of original, intense music. |
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| Steven Stucky |
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| Listening to Contemporary Music |
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| A timeless keynote about finding a relationship to music of our times. |
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