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H.D. Cowell
American Piano Concertos Vol.1 |
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Henry Cowell - Concerto for Piano and Orchestra (1928) - 1.Polyharmony |
03:52 |
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| 02 |
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Henry Cowell - Concerto for Piano and Orchestra (1928) - 2.Tone Cluster |
08:15 |
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| 03 |
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Henry Cowell - Concerto for Piano and Orchestra (1928) - 3.Counter Rhythm |
03:52 |
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| 04 |
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Henry Cowell - Irish Jig (Allegro rubato) (1925) for piano |
02:08 |
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| 05 |
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Henry Cowell - Domnu, the Mother of Waters (1926) for piano |
04:45 |
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| 06 |
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Henry Cowell - Four Irish Tales (arr.1940) for piano and orchestra - 1.The Tides of Manaunaun |
02:47 |
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| 07 |
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Henry Cowell - Four Irish Tales (arr.1940) for piano and orchestra - 2.Exulatation |
01:54 |
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| 08 |
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Henry Cowell - Four Irish Tales (arr.1940) for piano and orchestra - 3.The Harp of Life |
05:51 |
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| 09 |
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Henry Cowell - Four Irish Tales (arr.1940) for piano and orchestra - 4.The Lite of Reel |
03:23 |
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| 10 |
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Henry Cowell - Three Legends (1922) for piano - 1.The Tides of Manaunaun |
02:42 |
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| 11 |
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Henry Cowell - Three Legends (1922) for piano - 2.The Hero Sun |
03:45 |
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| 12 |
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Henry Cowell - Three Legends (1922) for piano - 3.The Voice of Liar |
03:47 |
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| 13 |
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Henry Cowell - Sinfonietta (1928) for piano 1 |
07:26 |
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| 14 |
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Henry Cowell - Sinfonietta (1928) for piano 2 |
02:41 |
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| 15 |
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Henry Cowell - Sinfonietta (1928) for piano 3 |
03:30 |
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| 16 |
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Henry Cowell - Concerto Piccolo (1941, arr.1945) for piano and orchestra 1 |
04:28 |
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| 17 |
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Henry Cowell - Concerto Piccolo (1941, arr.1945) for piano and orchestra 2 |
05:01 |
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| 18 |
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Henry Cowell - Concerto Piccolo (1941, arr.1945) for piano and orchestra 3 |
03:39 |
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Total Time |
01:13:46 |
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| Digital Booklet - only with album |
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 mp3 320 kB/s |
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| 01 |
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Henry Cowell - Concerto for Piano and Orchestra (1928) - 1.Polyharmony |
03:52 |
 |
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| 02 |
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Henry Cowell - Concerto for Piano and Orchestra (1928) - 2.Tone Cluster |
08:15 |
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| 03 |
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Henry Cowell - Concerto for Piano and Orchestra (1928) - 3.Counter Rhythm |
03:52 |
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| 04 |
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Henry Cowell - Irish Jig (Allegro rubato) (1925) for piano |
02:08 |
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| 05 |
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Henry Cowell - Domnu, the Mother of Waters (1926) for piano |
04:45 |
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| 06 |
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Henry Cowell - Four Irish Tales (arr.1940) for piano and orchestra - 1.The Tides of Manaunaun |
02:47 |
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| 07 |
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Henry Cowell - Four Irish Tales (arr.1940) for piano and orchestra - 2.Exulatation |
01:54 |
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| 08 |
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Henry Cowell - Four Irish Tales (arr.1940) for piano and orchestra - 3.The Harp of Life |
05:51 |
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| 09 |
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Henry Cowell - Four Irish Tales (arr.1940) for piano and orchestra - 4.The Lite of Reel |
03:23 |
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| 10 |
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Henry Cowell - Three Legends (1922) for piano - 1.The Tides of Manaunaun |
02:42 |
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| 11 |
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Henry Cowell - Three Legends (1922) for piano - 2.The Hero Sun |
03:45 |
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| 12 |
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Henry Cowell - Three Legends (1922) for piano - 3.The Voice of Liar |
03:47 |
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| 13 |
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Henry Cowell - Sinfonietta (1928) for piano 1 |
07:26 |
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| 14 |
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Henry Cowell - Sinfonietta (1928) for piano 2 |
02:41 |
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| 15 |
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Henry Cowell - Sinfonietta (1928) for piano 3 |
03:30 |
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| 16 |
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Henry Cowell - Concerto Piccolo (1941, arr.1945) for piano and orchestra 1 |
04:28 |
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| 17 |
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Henry Cowell - Concerto Piccolo (1941, arr.1945) for piano and orchestra 2 |
05:01 |
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| 18 |
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Henry Cowell - Concerto Piccolo (1941, arr.1945) for piano and orchestra 3 |
03:39 |
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Total Time |
01:13:46 |
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| Digital Booklet - only with album |
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| The great creator of musical novelties hardly ever departed from the melodic harmonious basis, though: his major achievements included not least the development of new techniques for piano playing, which he also integrated in his book New Musical Resources. His Concerto for Piano and Orchestra (1928) appears to put the spotlight on the technical and musical-historical findings, whereas in pieces such as Irish Jig and Four Irish Tales he openly and merrily inquires into his Irish background, without ever forgetting his impressive technical skills in the process. The clusters – a designation for which Cowell can most certainly claim the credit – are never a sensational end in itself but always have a melodic motivation: his Concerto Piccolo (1941/45), for instance, is reminiscent of Jean Françaix. Perhaps, contrary to past criticism, it is indeed the tonal basis of his work that makes it so fascinating. Among many others his student John Cage was to take Cowell's ideas further into the present. |
1CD | Orchestral | Contemporary | Special Offers |
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| Recommendation |
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The truth is out: Haydn was a jazz composer! Franz Koglmann took the diligent classic’s 27th symphony with him on his Nocturnal Walks.  |
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| Sound as living, physiological phenomenon. |
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| Lauermann presents his solo debut, and invites us to listen into the “the great spaces all around” – spaces of memory, chambers of sensation, places of yearning. |
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