|
|
Gerald Preinfalk Art of Duo |
01 |
|
I. Two-Part Invention, Sonata for Alto Saxophone and Piano, William Albright (Seleljo/Preinfalk) |
04:35 |
|
|
|
|
|
|
02 |
|
II. La follia nuova: a lament for George Cacioppa, Sonata for Alto Saxophone and Piano, William Albright (Seleljo/Preinfalk) |
10:35 |
|
|
|
|
|
|
03 |
|
III Scherzo "Will o´ the wisp", Sonata for Alto Saxophone and Piano, William Albright (Seleljo/Preinfalk) |
01:57 |
|
|
|
|
|
|
04 |
|
IV. Recitative and Dance, Sonata for Alto Saxophone and Piano, William Albright (Seleljo/Preinfalk) |
04:22 |
|
|
|
|
|
|
05 |
|
Prélude, Cadence et Finale pour Saxophone Alto et Piano, Alfred Descenclos (Seleljo/Preinfalk) |
11:08 |
|
|
|
|
|
|
06 |
|
I. Satz, Sonate pour Saxophone Alto et Piano, Edison Denisov (Seleljo/Preinfalk) |
03:20 |
|
|
|
|
|
|
07 |
|
II. Satz, Sonate pour Saxophone Alto et Piano, Edison Denisov (Seleljo/Preinfalk) |
04:26 |
|
|
|
|
|
|
08 |
|
III. Satz, Sonate pour Saxophone Alto et Piano, Edison Denisov (Seleljo/Preinfalk) |
04:55 |
|
|
|
|
|
|
09 |
|
Music Before Time (Muthspiel/Preinfalk) |
05:21 |
|
|
|
|
|
|
10 |
|
Alegre (Correa/Preinfalk) |
04:48 |
|
|
|
|
|
|
11 |
|
Percussive Monument (Cech/Preinfalk) |
05:02 |
|
|
|
|
|
|
12 |
|
The “O” I Know (Mathisen/Preinfalk) |
06:59 |
|
|
|
|
|
|
13 |
|
Lieber zwei Saxophone (Rucker/Preinfalk) |
04:58 |
|
|
|
|
|
|
14 |
|
My Scaramouche (Stojka/Preinfalk) |
03:09 |
|
|
|
|
|
|
|
|
|
Total Time |
01:15:35 |
|
|
|
Digital Booklet - only with album |
|
|
|
|
|
|
mp3 320 kB/s |
flac |
|
|
|
|
Art of Duo |
|
|
9,99 € | download |
|
|
01 |
|
I. Two-Part Invention, Sonata for Alto Saxophone and Piano, William Albright (Seleljo/Preinfalk) |
04:35 |
|
|
|
|
|
02 |
|
II. La follia nuova: a lament for George Cacioppa, Sonata for Alto Saxophone and Piano, William Albright (Seleljo/Preinfalk) |
10:35 |
|
|
|
|
|
03 |
|
III Scherzo Will o´ the wisp, Sonata for Alto Saxophone and Piano, William Albright (Seleljo/Preinfalk) |
01:57 |
|
|
|
|
|
04 |
|
IV. Recitative and Dance, Sonata for Alto Saxophone and Piano, William Albright (Seleljo/Preinfalk) |
04:22 |
|
|
|
|
|
05 |
|
Prélude, Cadence et Finale pour Saxophone Alto et Piano, Alfred Descenclos (Seleljo/Preinfalk) |
11:08 |
|
|
|
|
|
06 |
|
I. Satz, Sonate pour Saxophone Alto et Piano, Edison Denisov (Seleljo/Preinfalk) |
03:20 |
|
|
|
|
|
07 |
|
II. Satz, Sonate pour Saxophone Alto et Piano, Edison Denisov (Seleljo/Preinfalk) |
04:26 |
|
|
|
|
|
08 |
|
III. Satz, Sonate pour Saxophone Alto et Piano, Edison Denisov (Seleljo/Preinfalk) |
04:55 |
|
|
|
|
|
09 |
|
Music Before Time (Muthspiel/Preinfalk) |
05:21 |
|
|
|
|
|
10 |
|
Alegre (Correa/Preinfalk) |
04:48 |
|
|
|
|
|
11 |
|
Percussive Monument (Cech/Preinfalk) |
05:02 |
|
|
|
|
|
12 |
|
The “O” I Know (Mathisen/Preinfalk) |
06:59 |
|
|
|
|
|
13 |
|
Lieber zwei Saxophone (Rucker/Preinfalk) |
04:58 |
|
|
|
|
|
14 |
|
My Scaramouche (Stojka/Preinfalk) |
03:09 |
|
|
|
|
|
|
|
Total Time |
01:15:35 |
|
|
|
Digital Booklet - only with album |
|
|
|
|
|
“the greatest joy ...” |
|
This album might be described as a kind of personal audio storybook by Gerald Preinfalk, and a celebration of his woodwind instruments in a whirlwind of musical collaborations anerent approaches. One of the starting points for this project was a conversation with Harri Stojka during a long ride on the tour bus. Talking about their various other jobs, Preinfalk mentioned his involvement with Klangforum Wien as well as his professorship for classical saxophone at the Graz Music University, which triggered Stojka’s astonished reply: “Classical saxophone? There is no such thing, surely!”
Preinfalk has been studying the status of this instrument for a long time. So often it is misunderstood, apparently caught between two stools, the classical concert genre on the one hand and jazz performance on the other. Consequently, a mutual ting and a drawing of inspiration from the respective “other” style is one of the essential assets of this production.
This album is governed by two guiding principles. For the first part Preinfalk has selected those works of classical saxophone music that he regards as most striking. On the recordings he is accompanied by the wonderful pianist Iren Seleljo (track 1-8). The second part features six compositions presented in a duo outfit, in saxophonist Preinfalk’s opinion “the greatest joy in making music.” In collaborations with Alegre Corrêa, Wolfgang Muthspiel, Per Mathisen, Fabian Rucker, Christoph Cech and Harri Stojka he explores this creative and intimate seedbed of music. |
|
|
|
|
Credits |
|
Iren Seleljo, piano (tracks 01–08) Gerald Preinfalk, soprano & alto saxophone, clarinet, bass clarinet Christoph Cech, piano Alegre Corrêa, guitar Per Mathisen, fretless bass Wolfgang Muthspiel, baritone guitar Fabian Rucker, baritone saxophone Harri Stojka, guitar |
1CD | Instrumental | Contemporary | Jazz | PRIME colors Edition |
|
|
|
Recommendation |
|
|
|
Lauermann presents his solo debut, and invites us to listen into the “the great spaces all around” – spaces of memory, chambers of sensation, places of yearning. |
|
|
|
|
Symphonies No. 4 & 6 Haydn Orchestra of Bozen and Trient Gustav Kuhn, conductor |
|
|
|
|
In search of the inconceivable: with immense intensity Brass approaches the question of existence itself, of the line that separates being from disappearing. |
|
|
|