 |
|
| There is nothing ordinary in Kagel's music: the selection of orchestral pieces assembled on this collage CD ranges from Les idées fixes, his rondo for orchestra that appears so harmless at first sight, to the wonderfully bustling Opus 1.991. Neither in his music nor in any other discipline Kagel ever intended to adhere to a specific trend, or curb his creativity through specialization. "The deliberate break, the joining of the incommensurable, irritation through ambiguity, are Kagel's true vocation, one which he pursues with great delight in disguises and multihued iridescent role-play." (Ulrich Dibelius) Les idées fixes (1988-89) recalls traditional forms: five rondos meet one another while thematically encompassing the whole world, from ragtime to suggestions of waltzes and Eastern folk music. No less than four pianos are needed for Kagel's Musik für Tasteninstrumente und Orchester (1987-88), whereas Opus 1.991 (1990) works with philosophical references (to Hegel's "abstract subjectivity") and evokes cinematographic reminiscences. And the master of tricky rhythms himself handles the baton – to perfection! |
1CD | Contemporary | Orchestral | Special Offers |
|
|
|
| Recommendation |
|
|
|
|
A desert island CD! Or a bathtub CD, at any rate: Nothing is real, compiled and exceptionally performed by Marino Formenti.  |
|
|
|
|
|
| Music on music on music: in his play with reminiscences superimposed many times over, the Spanish composer Alfredo Aracil surpasses himself. |
|
|
|
|
|
| The perfect synthesis of Darmstadt modernism and Russian music – and then for something completely different: Denisov’s music for clarinet changing over the years. |
|
|
