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| WWE 1CD 30003 |
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Akkosax
An Werner Pirchner |
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Sonate vom rauhen Leben PWV 19, 3 bars Moll, 3 bars Dur, 4 bars? |
02:06 |
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| 02 |
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Sonate vom rauhen Leben PWV 19, 23 ½ Bars |
03:12 |
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| 03 |
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Sonate vom rauhen Leben PWV 19, 23 bars |
03:24 |
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| 04 |
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Sonate vom rauhen Leben PWV 19, 8 ½ bars, 8 ½ bars, 6 bars |
03:40 |
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| 05 |
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Auf geht’s! aus PWV 60 »Noten für die Pfoten« |
01:14 |
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| 06 |
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Hos’nt Raga aus PWV 6 »Jazzzwio« |
03:16 |
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| 07 |
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Barcarole aus PWV 45 »Musik für den Film Mirakel« und PWV 60 |
03:20 |
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| 08 |
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Barfuß im Digital |
01:16 |
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| 09 |
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Kleine Messe um C Für den Lieben Gott PWV 12, Von der Herrlichkeit (in halber Birnenform) |
01:32 |
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| 10 |
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Kleine Messe um C Für den Lieben Gott PWV 12, Von der Fröhlichkeit |
02:30 |
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| 11 |
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Kleine Messe um C Für den Lieben Gott PWV 12, Ist Gott katholisch? |
03:24 |
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| 12 |
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Kleine Messe um C Für den Lieben Gott PWV 12, Vom Alltäglichen |
01:18 |
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| 13 |
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Kleine Messe um C Für den Lieben Gott PWV 12, Von der Traurigkeit |
03:46 |
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| 14 |
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Kleine Messe um C Für den Lieben Gott PWV 12, Lustig geht die Welt zugrunde |
01:35 |
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| 15 |
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AkkoSax, An Werner Pirchner, Kleine Messe um C Für den Lieben Gott PWV 12, Oder nit? |
05:32 |
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| 16 |
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Froh aus PWV 60 |
03:46 |
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| 17 |
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Poem aus PWV 60 |
06:30 |
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| 18 |
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AkkoSax, An Werner Pirchner, Besuch bei Elvis |
01:11 |
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| 19 |
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Fünf Sätze an Werner |
02:36 |
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| 20 |
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Tagwache nicht vor 11 (Über Akkorde aus der Sonate vom rauhen Leben) |
02:57 |
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| 21 |
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Die Karawane zieht vorüber und man steckt bis zum Hals im Sand aus PWV 60 |
11:58 |
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Total Time |
01:10:03 |
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| Digital Booklet - only with album |
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 mp3 320 kB/s |
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An Werner Pirchner |
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9,99 € | download |
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| 01 |
|
Sonate vom rauhen Leben PWV 19, 3 bars Moll, 3 bars Dur, 4 bars? |
02:06 |
 |
|
|
|
|
| 02 |
|
Sonate vom rauhen Leben PWV 19, 23 ½ Bars |
03:12 |
|
|
|
|
|
| 03 |
|
Sonate vom rauhen Leben PWV 19, 23 bars |
03:24 |
|
|
|
|
|
| 04 |
|
Sonate vom rauhen Leben PWV 19, 8 ½ bars, 8 ½ bars, 6 bars |
03:40 |
|
|
|
|
|
| 05 |
|
Auf geht’s! aus PWV 60 »Noten für die Pfoten« |
01:14 |
|
|
|
|
|
| 06 |
|
Hos’nt Raga aus PWV 6 »Jazzzwio« |
03:16 |
|
|
|
|
|
| 07 |
|
Barcarole aus PWV 45 »Musik für den Film Mirakel« und PWV 60 |
03:20 |
|
|
|
|
|
| 08 |
|
Barfuß im Digital |
01:16 |
|
|
|
|
|
| 09 |
|
Kleine Messe um C Für den Lieben Gott PWV 12, Von der Herrlichkeit (in halber Birnenform) |
01:32 |
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|
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| 10 |
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Kleine Messe um C Für den Lieben Gott PWV 12, Von der Fröhlichkeit |
02:30 |
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| 11 |
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Kleine Messe um C Für den Lieben Gott PWV 12, Ist Gott katholisch? |
03:24 |
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| 12 |
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Kleine Messe um C Für den Lieben Gott PWV 12, Vom Alltäglichen |
01:18 |
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| 13 |
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Kleine Messe um C Für den Lieben Gott PWV 12, Von der Traurigkeit |
03:46 |
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| 14 |
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Kleine Messe um C Für den Lieben Gott PWV 12, Lustig geht die Welt zugrunde |
01:35 |
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| 15 |
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AkkoSax, An Werner Pirchner, Kleine Messe um C Für den Lieben Gott PWV 12, Oder nit? |
05:32 |
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| 16 |
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Froh aus PWV 60 |
03:46 |
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| 17 |
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Poem aus PWV 60 |
06:30 |
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| 18 |
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AkkoSax, An Werner Pirchner, Besuch bei Elvis |
01:11 |
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| 19 |
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Fünf Sätze an Werner |
02:36 |
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| 20 |
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Tagwache nicht vor 11 (Über Akkorde aus der Sonate vom rauhen Leben) |
02:57 |
|
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| 21 |
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Die Karawane zieht vorüber und man steckt bis zum Hals im Sand aus PWV 60 |
11:58 |
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Total Time |
01:10:03 |
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|
| Digital Booklet - only with album |
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Werner Pirchner is ranked among Austria’s foremost composers of the late 20th century. His long musical association with AkkoSax has now inspired them to a posthumous tribute to this original and individualistic mind, who was at home as much in jazz and theater forums as in concert halls. Even those who have never experienced him live know his music, from the signature tune he wrote for Ö1, the Austrian cultural radio station.
Siggi Haider (accordion) and Hannes Sprenger (saxophone) pay homage to their late compatriot, who died in 2001, with lively and open-minded reinterpretations of compositions closely associated with their own musical history. The »Kleine Messe um C für den lieben Gott«, or Little Mass around C for our Dear Lord, performed by Siggi Haider many years ago to accompany Felix Mitterer’s play »Stigma«, takes AkkoSax back to their roots, as they play from Pirchner’s handwritten score. In the »Sonate vom rauhen Leben«, the Sonata of the Rugged Life, the AkkoSax sound is shaped by the duo’s past experience in performing together with Pirchner.
It is fascinating to listen to they way the two instruments complement each other, recording a twofold dialogue: one between Siggi Haider and Hannes Sprenger, the other between the two of them and Werner Pirchner. He, like the two colleagues who now interpret his music, was always known for his skill in creating an intelligent balance between tradition and an innovative musical approach.
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