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Rudolf Kelterborn
Changements |
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Changements pour grand orchestre |
11:43 |
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| 2 |
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Ensemble-Buch I - Sonata I |
04:36 |
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| 3 |
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- Was soll ich antworten |
03:29 |
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| 4 |
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- Lichtmusik I: Gegenlicht in den Bergen |
01:46 |
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| 5 |
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- Nachtstück I |
03:22 |
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| 6 |
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- Lichtmusik II: Sonnenaufgang |
03:37 |
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| 7 |
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- Nachtstück II |
03:13 |
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| 8 |
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- Lichtmusik III: Mittagstief |
02:54 |
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| 9 |
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- Alles Gold |
01:50 |
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| 10 |
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- Sonata II (Hommage à E.B.) |
03:34 |
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| 11 |
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Escursioni - I |
04:22 |
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| 12 |
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- II |
03:22 |
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| 13 |
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- III |
03:47 |
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| 14 |
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Fantasia a tre |
11:37 |
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| 15 |
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Variationen für Oboe und Streichorchester |
10:17 |
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Total Time |
01:13:29 |
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| Digital Booklet - only with album |
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1CD | Contemporary | Special Offers |
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| Recommendation |
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This music is about fading away, about reverberations, echoes. European instruments sound Asian, and Asian instruments are integrated into European art music.  |
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| „Achad“ is to be understood as a result of a musically tracking of spiritualitiy and temporality - a quest on which the listener is invited, too. |
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| Somewhere between Alex- ander Rodchenko, Jackson Pollock and Charles Ives: Marino Formenti’s piano studies based on an instal- lation by Florian Pumhösl as a listening experience! |
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