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Holzmair / Lindquist
Wunderhornlieder |
| 01 |
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Jagdlied |
03:05 |
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| 02 |
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Mein Schatzerl is hübsch |
01:35 |
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| 03 |
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Wassernot |
01:37 |
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| 04 |
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Andres Mailied |
02:45 |
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| 05 |
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Käuzlein |
02:40 |
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| 06 |
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Marienwürmchen |
01:57 |
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| 07 |
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Schnitter Tod |
02:21 |
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| 08 |
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Herr Oluf |
06:02 |
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| 09 |
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Zu Straßburg au der Schanz |
02:13 |
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| 10 |
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Der Überläufer |
01:39 |
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| 11 |
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Knab und Veilchen |
01:19 |
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| 12 |
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Für fünfzehn Pfennige |
02:39 |
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| 13 |
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Fuge |
03:13 |
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| 14 |
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Verlorene Müh |
03:08 |
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| 15 |
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Lob des hohen Verstands |
03:09 |
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| 16 |
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An einen Boten |
01:21 |
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| 17 |
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Weinschröterlied |
01:55 |
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| 18 |
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Abschiedszeichen |
03:04 |
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| 19 |
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Altdeutsches Minnelied |
02:19 |
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| 20 |
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Wie Georg von Frundsberg von sich selber sang |
03:00 |
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| 21 |
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Christkindleins Wiegenlied |
04:11 |
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| 22 |
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Das hungernde Kind |
02:44 |
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| 23 |
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Ach hartes Herz, laß dich doch eins erweichen |
02:44 |
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| 24 |
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Zum Einschlafen |
01:21 |
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| 25 |
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Im Frühling, wenn die Maiglöckchen läuten |
01:03 |
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| 26 |
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Auf dem Grabstein eines Kindes in einem Kirchhof im Odenwald |
02:22 |
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| 27 |
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Das bucklichte Männlein |
03:32 |
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| 28 |
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Urlicht |
03:35 |
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| 29 |
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Schneckenlocken |
01:15 |
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| 30 |
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Wenn das Kind etwas nicht ißt |
01:17 |
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Total Time |
01:15:05 |
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| Digital Booklet - only with album |
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 mp3 320 kB/s |
 flac |
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Wunderhornlieder |
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9,99 € | download |
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| 01 |
|
Jagdlied |
03:05 |
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| 02 |
|
Mein Schatzerl is hübsch |
01:35 |
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| 03 |
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Wassernot |
01:37 |
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| 04 |
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Andres Mailied |
02:45 |
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| 05 |
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Käuzlein |
02:40 |
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| 06 |
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Marienwürmchen |
01:57 |
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| 07 |
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Schnitter Tod |
02:21 |
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| 08 |
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Herr Oluf |
06:02 |
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| 09 |
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Zu Straßburg au der Schanz |
02:13 |
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| 10 |
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Der Überläufer |
01:39 |
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| 11 |
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Knab und Veilchen |
01:19 |
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| 12 |
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Für fünfzehn Pfennige |
02:39 |
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| 13 |
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Fuge |
03:13 |
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| 14 |
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Verlorene Müh |
03:08 |
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| 15 |
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Lob des hohen Verstands |
03:09 |
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| 16 |
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An einen Boten |
01:21 |
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| 17 |
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Weinschröterlied |
01:55 |
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| 18 |
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Abschiedszeichen |
03:04 |
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| 19 |
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Altdeutsches Minnelied |
02:19 |
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| 20 |
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Wie Georg von Frundsberg von sich selber sang |
03:00 |
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| 21 |
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Christkindleins Wiegenlied |
04:11 |
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| 22 |
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Das hungernde Kind |
02:44 |
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| 23 |
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Ach hartes Herz, laß dich doch eins erweichen |
02:44 |
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| 24 |
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Zum Einschlafen |
01:21 |
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| 25 |
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Im Frühling, wenn die Maiglöckchen läuten |
01:03 |
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| 26 |
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Auf dem Grabstein eines Kindes in einem Kirchhof im Odenwald |
02:22 |
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| 27 |
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Das bucklichte Männlein |
03:32 |
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| 28 |
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Urlicht |
03:35 |
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| 29 |
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Schneckenlocken |
01:15 |
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| 30 |
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Wenn das Kind etwas nicht ißt |
01:17 |
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Total Time |
01:15:05 |
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| Digital Booklet - only with album |
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| “A hopeless mishmash ... |
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... of all sorts of droll, sulky, dirty and worthless street songs, plus a few musty church songs.” There is probably no comparable collection of texts that triggered discussions of an equally controversial nature during the 19th and early 20th centuries. Of all the musical adaptations based on this book of 723 songs, those by Gustav Mahler are probably the most famous, yet Des Knaben Wunderhorn was an inspiration for many other composers, too.
Wolfgang Holzmair is both a brilliant singer and an expert in discovering associations and interrelations. His intense and masterly performance, skillfully accompanied by Thérèse Lindquist, sheds light on the different interpretations by composers from Mendelssohn to Schumann and Strauss, from Mahler to Zemlinsky and Schoenberg. By putting the musical adaptations inspired by this “worthy folk song book” in context with the relevant composers Holzmair reveals a common thread running through two-hundred years of composition.
Wolfgang Holzmair, baritone
Thérèse Lindquist, piano
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| Recommendation |
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Even before he became Arnold Schönberg’s student, Alban Berg wrote some 40 Jugendlieder, ’early lieder’: Romantic poetry as mirrored by the Fin de Siècle.  |
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| "The Wilten Boys’ Choir astonished me: with the beauty of their voices and their maturity, that is just remarkable for a Boys’ Choir." (Arvo Pärt) |
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Symphonies 3 & 8
Haydn Orchestra - Gustav Kuhn |
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