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Berg’s early lieder owe their existence largely to the young composer’s great interest in literature; nevertheless it was his friend Hermann Watznauer, who actually inspired him to embark on composing his first lieder around 1900/01.
And Berg enjoyed himself so much that he continued along the same lines until 1903, completing another 30 lieder; even Arnold Schönberg was essentially fascinated by them: "Berg’s earliest compositions, however clumsy they may have been, already reveal two qualities: first, that to him music was a language and that he actually expressed himself in this language; and secondly: abundant warmth of feeling."
If Alban Berg had not chosen a completely different road later on, he would still be recognized as a direct successor of the Romantic lieder tradition today. But his later compositions, such as his orchestral works, his violin concerto, the great lieder cycles for orchestra and trend-setting operas like Wozzeck or Lulu, soon eclipsed these early compositional attempts.
The lieder themselves shall be called upon to testify to their great aesthetic, even poetic merit; and thanks to Hélène Lindqvist and Philipp Vogler, a larger audience is now, for the first time, given an opportunity to study these works. |
1CD | Vocal | Classics | Contemporary |
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| Recommendation |
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“The succinctness of his work will first become fully apparent when it becomes possible to view the second half of the twentieth century from something more like a bird’s-eye view.” (Alessandro Solbiati)  |
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| Good news from your mailbox! Mitterer makes music on the subject of ambient in an electronic environment. Two amazing CDs with radical backgrounds. |
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| Mauricio Kagel by himself: the composer, theater maker, filmmaker, virtuoso, writer of radio plays and, on the whole, all-round talent conducts his own works. |
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