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| The most recent of his compositions which Rihm called “string quartets” date back a few years already, with a gap in the enumeration still waiting to be filled (the eleventh quartet is missing). Even a cursory comparison of the three works’ beginnings reveals Rihm’s “ability to find new and distinctly characteristic solutions for each piece, which, each in their own way, put a stamp on what is to follow.” (R. Frisius) The gentle pizzicati of Quartet No. 10 and the muted, shadowy chord of No. 12 are pitted against the broadly spanned and only slowly unfurling sounds of the Quartettstudie. What’s most remarkable about the quartets is that their external form never affects the actual listing experience. The sound events themselves are sufficient for the listener to immediately recognize and grasp the “caesuras and breaks, escalations and stases, the assuming of definite shape and the compacting of mass.” The Battaglia and the Follia, which is almost orchestral, clearly stand out from the texture of Quartet No. 10 whose first movement features the spoken “KA-TA”. This phrase, together with the title of the final movement, Strophe, suggests an utterly demure and subdued swan song, even permitting a programmatic interpretation. |
1CD | Instrumental | String Quartet | Contemporary |
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Number 4 of the Salzburg Festival “Kontinent” series was dedicated to Wolfgang Rihm. We have compiled a selection of the works for your convenience – including a first recording!  |
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| Wolfgang Rihm sets poems from Heiner Müller, Hermann Lenz and Rainer Maria Rilke to music. Listen to a living document about one of the most important lied composers of our time. |
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| “Subtle nuances, crystal-clear intonation, expressive force”: Wolfgang Rihm’s early String Quartets Nos. 1, 2, 3 & 4, extraordinarily played by the Minguet Quartet. |
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