|
|
 |
| 1 |
|
Streichquartett Nr. 2 1. Satz |
06:29 |
 |
|
|
|
|
|
|
| 2 |
|
Streichquartett Nr. 2 2. Satz |
13:43 |
|
|
|
|
|
|
|
| 3 |
|
Helleluja bewegt |
13:15 |
|
|
|
|
|
|
|
| 4 |
|
Vier Stücke für Violine und Klavier - I fließend |
04:22 |
|
|
|
|
|
|
|
| 5 |
|
II bewegt- unerbittlich, energisch |
01:23 |
|
|
|
|
|
|
|
| 6 |
|
III leicht bewegt (grazioso) |
02:32 |
|
|
|
|
|
|
|
| 7 |
|
IV schnell - sehr schnell |
01:04 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Streichquartett Nr. 2 (1992–1998)
Quatuor Danel
Halleluja (1996)
Wolfgang Sellner, violoncello
Vier Stücke für Violine und Klavier (1988)
Marc Danel, violin
Jan Michiels, piano
|
1CD | Contemporary | Special Offers |
|
|
|
| Recommendation |
|
|
|
|
A single (and singular) CD documents the Darmstädter Ferienkurse für Neue Musik 2004: Wolfgang Mitterer’s electrifying pieces for organ and electronics.  |
|
|
|
|
|
| All hell is loose! York Höller managed to transfer Mikhail Bulgakov’s satire The Master and Margarita to the opera stage. |
|
|
|
|
|
| The crack in the groove of a record, a VCR whose pause function does not work and voices of demons from the Middle Ages: Bernhard Lang’s DW 8, DW 3 und DW 15 |
|
|
|
