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| It is the eternal questions that Nikolaus Brass mainly concerns himself with in his compositional work: the question of existence, of being, and first and foremost of all possible intermediate stages at the edge of what is conceivable, of what can just be grasped. In VOID (1999) he investigates the feeling left by loss, "structural empty spaces that bear the construction of sound while challenging it at the same time." For a due (2003), Brass has borrowed short captions from Yashushi Inoue's novel My mother; the last part is entitled memoria – "in 'commemoration' and 'consideration' of the speaking speechlessness of music." In TRIO (1987-1991) he works with fragmented shapes that spread through space, splitting the "progression of time" into "states of 'still now – then not anymore'." |
1CD | Contemporary | Special Offers |
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| Recommendation |
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Three briliant concerts of the Czech composer Ladislav Kubík on one CD!  |
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| “The immediacy of sounding eruptions”: Gran Torso and Salut für Caudwell in exemplary recordings by the famous Berner Streichquartett, and the guitar duo Bruck/Ross. |
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| The works Nachtgesänge, Cellokonzert, Intrada and Gayatri-Rhapsodie by Fabian Müller auf einer CD! |
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