 |
|
| It is the eternal questions that Nikolaus Brass mainly concerns himself with in his compositional work: the question of existence, of being, and first and foremost of all possible intermediate stages at the edge of what is conceivable, of what can just be grasped. In VOID (1999) he investigates the feeling left by loss, "structural empty spaces that bear the construction of sound while challenging it at the same time." For a due (2003), Brass has borrowed short captions from Yashushi Inoue's novel My mother; the last part is entitled memoria – "in 'commemoration' and 'consideration' of the speaking speechlessness of music." In TRIO (1987-1991) he works with fragmented shapes that spread through space, splitting the "progression of time" into "states of 'still now – then not anymore'." |
1CD | Contemporary | Special Offers |
|
|
|
| Recommendation |
|
|
|
|
Dance music from high-alpine regions and from the low plains, music located somewhere between Schubert, Bartok and a Young Farmers’Ball in East Tyrol.  |
|
|
|
|
|
| Wolfgang vs. Ludwig? Nine In One? Schicksal? Tristesse? All in one, the whole prgramme ... and yes, you really can listen to Beethoven! |
|
|
|
|
|
| Music on music on music: in his play with reminiscences superimposed many times over, the Spanish composer Alfredo Aracil surpasses himself. |
|
|
