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Luigi Nono
Quando stanno morendo |
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Canciones para Silvia |
07:06 |
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Donde estas, hermano |
05:38 |
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Djamila Boupacha |
04:28 |
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Sara dolce tacere |
08:14 |
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Quando stanno morendo. Diario polacco n. 2 Ia |
05:31 |
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Quando stanno morendo. Diario polacco n. 2 Ib |
04:16 |
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Quando stanno morendo. Diario polacco n. 2 Ic |
05:21 |
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Quando stanno morendo. Diario polacco n. 2 IIa |
03:48 |
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| 09 |
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Quando stanno morendo. Diario polacco n. 2 IIb |
03:13 |
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Quando stanno morendo. Diario polacco n. 2 IIc |
05:52 |
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| 11 |
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Quando stanno morendo. Diario polacco n. 2 IIIa |
07:51 |
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| 12 |
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Quando stanno morendo. Diario polacco n. 2 IIIb |
02:53 |
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| 13 |
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Quando stanno morendo. Diario polacco n. 2 IIIc |
03:55 |
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Total Time |
01:08:06 |
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| Digital Booklet - only with album |
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 mp3 320 kB/s |
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Quando stanno morendo |
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9,99 € | download |
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| 01 |
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Canciones para Silvia |
07:06 |
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| 02 |
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Donde estas, hermano |
05:38 |
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| 03 |
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Djamila Boupacha |
04:28 |
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| 04 |
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Sara dolce tacere |
08:14 |
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| 05 |
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Quando stanno morendo. Diario polacco n. 2 Ia |
05:31 |
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| 06 |
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Quando stanno morendo. Diario polacco n. 2 Ib |
04:16 |
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| 07 |
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Quando stanno morendo. Diario polacco n. 2 Ic |
05:21 |
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| 08 |
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Quando stanno morendo. Diario polacco n. 2 IIa |
03:48 |
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| 09 |
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Quando stanno morendo. Diario polacco n. 2 IIb |
03:13 |
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| 10 |
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Quando stanno morendo. Diario polacco n. 2 IIc |
05:52 |
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| 11 |
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Quando stanno morendo. Diario polacco n. 2 IIIa |
07:51 |
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| 12 |
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Quando stanno morendo. Diario polacco n. 2 IIIb |
02:53 |
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| 13 |
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Quando stanno morendo. Diario polacco n. 2 IIIc |
03:55 |
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Total Time |
01:08:06 |
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| Digital Booklet - only with album |
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| Works of art are often triggered by private events. Sarà dolce tacere (1960), for example, was written on the occasion of the 40th birthday of Bruno Maderna, Nono's (former) teacher and close friend; and also in 1960 Nono wrote Ha venido for his daughter's first birthday. Djamila Boupachà (1962), ¿Dónde estás, hermano? (1982) and Quando stanno morendo (1982), on the other hand, are clearly expressions attributable to the politically involved, the committed cosmopolitan Nono. It is amazing how he succeeds in incorporating a specific individuality of sound into each of his works notwithstanding the, in the final analysis, somehow similar motifs: "Whether it is the monody of Djamila Boupachà, or the complex interactions of voices and instruments in Quando stanno morendo, which are moreover transformed and set in spatial motion by live electronics in accordance with the composer's instructions: this music has its own eloquence, a musical eloquence. It ranges from the night-black in the second part of Quando stanno morendo to the magic of spring in Ha venido, from the gentle – in Sarà dolce tacere – to the painful, insistent call for another kind of silence, for other days full of light in Djamila Boupachà.“ (Jürg Stenzl) |
1SACD | Vocal | Choir | Contemporary | PRIME colors Edition |
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| Recommendation |
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A brilliant musical and theatrical performance from the world-renowned vocal ensemble, the fantastic Neue Vocalsolisten Stuttgart: Drama!  |
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| IOSIS is a scenic-musical collage, which deals with love, passion, force, pain and death and fuses new with old music to an expressive entity! |
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| ... the suggestion of a whole life with all its twists and turns of fate. |
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