|
|
 |
Denys Bouliane
Une Soirée Vian |
| 1 |
|
Rimettes bouclees |
04:50 |
 |
|
|
|
|
|
|
| 2 |
|
Zwei Kinder, die mir Gläsern spielen |
00:56 |
|
|
|
|
|
|
|
| 3 |
|
Kinderreime Ingrind |
01:33 |
|
|
|
|
|
|
|
| 4 |
|
Declamation |
00:23 |
|
|
|
|
|
|
|
| 5 |
|
Ringelgesang |
03:30 |
|
|
|
|
|
|
|
| 6 |
|
allmählich |
04:20 |
|
|
|
|
|
|
|
| 7 |
|
Das rote Gras: Beschreibung der Maschine |
02:18 |
|
|
|
|
|
|
|
| 8 |
|
instrumentaler Komentar |
02:15 |
|
|
|
|
|
|
|
| 9 |
|
Das rote Gras: Absicht, die Maschine zu erproben |
01:48 |
|
|
|
|
|
|
|
| 10 |
|
Wolfs Maschinen- Musik |
03:05 |
|
|
|
|
|
|
|
| 11 |
|
Das rote Gras: Die Reise |
06:06 |
|
|
|
|
|
|
|
| 12 |
|
Das rote Gras: Monsieur PERLE und DER PLAN |
04:30 |
|
|
|
|
|
|
|
| 13 |
|
Das rote Gras: Monsieur PERLE - Verhältnis zur Familie |
05:08 |
|
|
|
|
|
|
|
| 14 |
|
Das rote Gras: KINDHEIT, SCHULBANK |
01:18 |
|
|
|
|
|
|
|
| 15 |
|
Das rote Gras: Monsieur BRUL - Schularbeit und später Studien |
02:10 |
|
|
|
|
|
|
|
| 16 |
|
JUNG |
02:14 |
|
|
|
|
|
|
|
| 17 |
|
Zizane und Der Major |
05:28 |
|
|
|
|
|
|
|
| 18 |
|
Das rote Gras: Heloise und Aglae |
05:24 |
|
|
|
|
|
|
|
| 19 |
|
Ich wil in Grätenform ein Leben |
03:52 |
|
|
|
|
|
|
|
| 20 |
|
AL BISON INTRAVIT IN AFNOR |
01:28 |
|
|
|
|
|
|
|
| 21 |
|
I>>N |
07:40 |
|
|
|
|
|
|
|
| 22 |
|
KATZ und MAUS (Der Schaum der Tage) |
07:27 |
|
|
|
|
|
|
|
|
|
|
Total Time |
01:17:43 |
|
|
|
| Digital Booklet - only with album |
|
|
|
|
|
|
| The Soirée Vian, a kind of meta-cabaret created in 1991 based on a commission by the WDR, develops along the narrative red thread of Boris Vian's novel The red grass and turns into a dizzying journey through the absurdly crazy worlds of Vian's universe. The fullness and polystylism of this venture undertaken by Denys Bouliane might indeed almost make the listener dizzy, not least due to the fantastic performance by the electro-acoustic ensemble "Série B." Their "musical roller coaster ride from simple tones to hyper virtuoso polyrhythmics, from bel canto to high-tech bruitism, from mechanistic ensemble precision to improvisational anarchy, corresponds perfectly with Vian's exuberant verbal imagination, which combines nursery rhymes with philosophical speculation, laconic thriller lingo with absurd wordplay." (Peter Niklas Wilson) The Soirée Vian has five parts and tells a kind of coherent, absurd story, to which ever and again extra elements of persiflage and counterpoint are added. Denys Bouliane's creation is not only a very special listening experience but also an extremely comical intellectual amusement. |
1CD | Contemporary | Special Offers |
|
|
|
| Recommendation |
|
|
|
|
Music derived from Old Icelandic poetry, transcending the boundaries of traditional concepts and notation.  |
|
|
|
|
|
| A world of sound between creative primal force and intimate memory. Restlessly exploring, Luca Francesconi’s music penetrates deep into the heart of sound. |
|
|
|
|
|
| „vom Jandln zum Ernst“: an illusion of a live performance with Ernst Jandl, Christian Muthspiel and the jazz orchestra ORJAZZTRA VIENNA. |
|
|
|
