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Les Éspaces Electroacoustiques III |
| 1.1 |
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Thomas Kessler - Flute Control (1986) |
13:24 |
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| 1.2 |
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Kaija Saariaho - Nuits, adieux (1991) |
10:32 |
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| 1.3 |
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Horacio Vaggione - Shifting Mirrors (2016) |
10:03 |
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| 1.4 |
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Hans Tutschku - pressure-divided (2015) |
18:12 |
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| 1.5 |
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Georg Friedrich Haas - Ein Schattenspiel (2004) |
13:02 |
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| 2.1 |
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José Manuel López López - Sottovoce (1995) |
14:00 |
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| 2.2 |
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Marco Stroppa - ... of Silence (2007) |
24:02 |
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| 2.3 |
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Bernhard Lang - Differenz / Widerholung 6a (2002) |
17:50 |
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| 2.4 |
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Peter Ablinger - Instrumente und ElektroAkustische Ortsbezogene Verdichtung, »das Blaue vom Himmel« (1995-1997) |
14:49 |
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Total Time |
02:15:54 |
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| Digital Booklet - only with album |
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Les Éspaces Electroacoustiques III |
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12,99 € | download |
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| Les Espaces Électroacoustiques III |
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| The third project was devoted to works created from the mid-1980s onwards, selected as case studies of live electronic music performance practice as it evolved since the introduction of digital technologies. The works presented here can cover only a part of this diverse practice. Nevertheless, the three albums open an updated view of the fascinating repertoire of electroacoustic music and document approaches to spatiality that can be particularly well represented in surround format. The fact that the second album received the prestigious annual German Record Critics’ Award (Preis der deutschen Schallplattenkritik) in 2020 confirms the efforts to produce high-quality recordings accessible in surround format. |
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| About the ICST |
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| The ICST, a research institute at the Zurich University of the Arts, brings together scientists and artists from various professional backgrounds: mathematics, engineering, psychoacoustics, computer science, generative art, media art, musicology, music theory, performance and composition. This rich mix encourages projects examining the relationship between technology and musical practice using methods of both scientific and artistic research. |
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| Performers |
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Joan Jordi Oliver Arcos, saxophone (I, 03; II, 02)
Dimitrios Polisoidis, viola (II, 03)
Martina Schucan, violoncello (I, 04; II 04)
Ensemble SoloVoices (I, 02; II, 01)
Matthias Ziegler, flute (I, 01)
Germán Toro Pérez, artistic director
Florian Bogner, mastering
Mario Bruderhofer, recording and mixing engineer
(I, 03, 04, 05; II, 01)
Leandro Gianini, sound engineering and electroacoustic performance
Dominykas Girčius, piano (I, 05), recording and mixing engineer
(I, 01, 02; II, 02, 03, 04)
Carlos Hidalgo, sound projection (I, 02, 04; II, 02, 04) |
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