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Stefano Scodanibbio
Geografia Amorosa |
| 01 |
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Stefano Scodanibbio - Sei Studi Joke |
02:07 |
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| 02 |
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Stefano Scodanibbio - Sei Studi Dust |
06:50 |
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| 03 |
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Stefano Scodanibbio - Sei Studi Upward |
02:07 |
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| 04 |
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Stefano Scodanibbio - Sei Studi Far away |
03:44 |
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| 05 |
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Stefano Scodanibbio - Sei Studi On turning |
05:05 |
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| 06 |
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Stefano Scodanibbio - Sei Studi Farewell |
05:26 |
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| 07 |
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Stefano Scodanibbio - Due pezzi brillante I |
05:07 |
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| 08 |
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Stefano Scodanibbio - Due pezzi brillante II |
03:29 |
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| 09 |
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Stefano Scodanibbio - Alisei |
09:41 |
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| 10 |
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Stefano Scodanibbio - Geografia amorosa |
09:05 |
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| 11 |
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Stefano Scodanibbio - Marche bancale |
11:30 |
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| 12 |
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Stefano Scodanibbio - e_statico |
06:14 |
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 mp3 320 kB/s |
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Stefano Scodanibbio, Geografia Amorosa |
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9,99 € | download |
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| 01 |
|
Stefano Scodanibbio - Sei Studi Joke |
02:07 |
 |
|
|
|
|
| 02 |
|
Stefano Scodanibbio - Sei Studi Dust |
06:50 |
|
|
|
|
|
| 03 |
|
Stefano Scodanibbio - Sei Studi Upward |
02:07 |
|
|
|
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| 04 |
|
Stefano Scodanibbio - Sei Studi Far away |
03:44 |
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| 05 |
|
Stefano Scodanibbio - Sei Studi On turning |
05:05 |
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|
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| 06 |
|
Stefano Scodanibbio - Sei Studi Farewell |
05:26 |
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| 07 |
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Stefano Scodanibbio - Due pezzi brillante I |
05:07 |
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| 08 |
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Stefano Scodanibbio - Due pezzi brillante II |
03:29 |
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| 09 |
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Stefano Scodanibbio - Alisei |
09:41 |
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| 10 |
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Stefano Scodanibbio - Geografia amorosa |
09:05 |
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| 11 |
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Stefano Scodanibbio - Marche bancale |
11:30 |
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| 12 |
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Stefano Scodanibbio - e_statico |
06:14 |
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Total Time |
01:10:25 |
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| Digital Booklet - only with album |
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1CD | Contemporary | Instrumental | Solo | Special Offers |
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| Recommendation |
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It seems that Djordjević’s imagination is focussed entirely on an interior world, on the interplay of forces within a de ned space.  |
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| Mauricio Kagel by himself: the composer, theater maker, filmmaker, virtuoso, writer of radio plays and, on the whole, all-round talent conducts his own works. |
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| In 1951, after numerous solo compositions, Cage tried his hand at a piano concerto, naturally for the prepared variety. And in marked contrast to the concerto: Sixty-Eight. |
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