|
|
 |
Alfred Schnittke orchestral works & chamber music |
| 1 |
|
Prelude in memoriam |
04:31 |
 |
|
|
 |
|
|
|
| 2 |
|
Concerto Grosso No. 1 |
27:24 |
 |
|
|
 |
|
|
|
| 3 |
|
Two Short Pieces |
07:33 |
 |
|
|
 |
|
|
|
| 4 |
|
Trio-Sonata |
29:15 |
 |
|
|
 |
|
|
|
| 5 |
|
Alfred Schnittke orchestral works & chamber music |
09:16 |
 |
|
|
 |
|
|
|
 |
|
|
|
|
|
1CD | Contemporary | Special Offers |
|
 |
 |
| Recommendation |
|
|
|
|
The universe of Mr. Xenakis: Early Christian cults in Anastenaria, Greek mythology in Aïs, and clusters and glissandi in the trombone concerto Troorkh.  |
 |
|
|
|
|
In 1951, after numerous solo compositions, Cage tried his hand at a piano concerto, naturally for the prepared variety. And in marked contrast to the concerto: Sixty-Eight.  |
 |
|
|
|
|
As fascinating as ever: Cerha’s monumental opus Spiegel, in which he "investigates fundamental phenomena of musical creation."  |
 |
|
|