|
|
 |
Alfred Schnittke orchestral works & chamber music |
| 1 |
|
Prelude in memoriam |
04:31 |
 |
|
|
 |
|
|
|
| 2 |
|
Concerto Grosso No. 1 |
27:24 |
 |
|
|
 |
|
|
|
| 3 |
|
Two Short Pieces |
07:33 |
 |
|
|
 |
|
|
|
| 4 |
|
Trio-Sonata |
29:15 |
 |
|
|
 |
|
|
|
| 5 |
|
Alfred Schnittke orchestral works & chamber music |
09:16 |
 |
|
|
 |
|
|
|
 |
|
|
|
|
|
1CD | Contemporary | Special Offers |
|
 |
 |
| Recommendation |
|
|
|
|
In 1951, after numerous solo compositions, Cage tried his hand at a piano concerto, naturally for the prepared variety. And in marked contrast to the concerto: Sixty-Eight.  |
 |
|
|
|
|
The conrabass is the stepchild of the string section. Stefano Scodanibbio manages to produce sounds -- new and unheard so far!  |
 |
|
|
|
|
“The succinctness of his work will first become fully apparent when it becomes possible to view the second half of the twentieth century from something more like a bird’s-eye view.” (Alessandro Solbiati)  |
 |
|
|