|
 |
Alfred Schnittke orchestral works & chamber music |
1 |
|
Prelude in memoriam |
04:31 |
 |
|
 |
|
|
|
2 |
|
Concerto Grosso No. 1 |
27:24 |
 |
|
 |
|
|
|
3 |
|
Two Short Pieces |
07:33 |
 |
|
 |
|
|
|
4 |
|
Trio-Sonata |
29:15 |
 |
|
 |
|
|
|
5 |
|
Alfred Schnittke orchestral works & chamber music |
09:16 |
 |
|
 |
|
|
|
 |
|
|
Total Time |
02:17:59 |
 |
 |
 |
Digital Booklet - only with album |
|
|
|
|
1CD | Contemporary | Special Offers |
|
 |
 |
Recommendation |
|
|
|
“Music expresses that which cannot be said and on which it is impossible to be silent.” (Victor Hugo)  |
 |
|
|
|
Une Soirée Vian (1991): on the borderline between opera, oratorio and cabaret Denys Bouliane investigates the heritage of the French writer Boris Vian.  |
 |
|
|
|
Using a Mozart Quintet as a starting point, Moritz Eggert designs a new, contemporary world of sound: »Amadé Amadé«. A musical exorcism – and a col legno production made to measure!  |
 |
|
|