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Luigi Nono
Io & Das atmende Klarsein |
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chorus, bass flute, contrabass clarinet |
18:51 |
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| 2 |
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bass flute, contrabass clarinet |
02:07 |
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| 3 |
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solo soprano, women's chorus |
07:50 |
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| 4 |
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solo soprano, bass flute |
03:18 |
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| 5 |
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chorus |
07:30 |
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| 6 |
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two solo sopranos, bass flute, contrabass clarinet |
05:12 |
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| 7 |
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chorus |
14:05 |
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| 8 |
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bass flute, contrabass clarinet |
05:12 |
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| 9 |
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chorus |
05:47 |
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| 10 |
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chorus (nach spätem Gewitter ... das atmende Klarsein ...) |
01:32 |
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| 11 |
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bass flute |
05:40 |
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| 12 |
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chorus (Krena) |
08:06 |
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| 13 |
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bass flute |
03:46 |
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| 14 |
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chorus (Ascolta) |
06:36 |
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| 15 |
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bass flute |
02:41 |
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| 16 |
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chorus (Hier sein) |
04:05 |
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| 17 |
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bass flute |
06:08 |
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Total Time |
01:48:26 |
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| Digital Booklet - only with album |
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| "[Katrin 1] Immersion into individual sounds extremely differentiated in terms of tone color and dynamics, as well as the envisaged spatial effect of the overall sound are among the most fascinating characteristics of the late works by Luigi Nono (1924-1990). It was thanks to him that the nearly unlimited technical possibilities offered by the Freiburger Experimentalstudio became known to an audience far beyond a small circle of experts. And, in turn, it was these very possibilities that enabled the creation of this body of Nono's 'late work,' which now is to be considered a kind of legacy left by the former avant-garde composer to a music of the future. This excellent and exemplary recording by the Freiburg ensemble so well acquainted with Nono's oeuvre, also permits us to establish connections with Nono's early works, making it seem advisable to strongly relativize the assumption that a 'break' had occurred at some point in Nono's development. … |
2SACD | Contemporary | Salzburger Festspiele | PRIME colors Edition |
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| Recommendation |
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Quando stanno morendo (1982) and other Vocal works Neue Vocalsolisten Stuttgart re-release, finally available again!  |
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| In 1993, the Salzburg Festival presented Nono as a sound seeker in their series "Zeitfluss", focusing on Das atmende Klarsein (1980/81). |
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| Nono’s first work for orchestra, the Variazioni canoniche (1950) based on Schönberg, already comprises the bases of his late works, such as No hay caminos... (1987). |
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