 |
| About the album |
|
BONECRUSHER plays music that ranges from sound-sculpture noise drones to walls-of-Jericho-collapsing blasts to delicate webs of air and tone, resonating overtones with layered articulations. Pushing the acoustic properties of the instrument and the physicality of the players to their limits and beyond, the musicians put their archaic contraption through the bone mill, pulverizing it, sublimating it, and breathing new life into it, all in the spirit of Vinko Globokar’s remark that a musical instrument is not a sacrosanct object, but merely an extension of the body. |
|
| About the artist |
|
 |
|
| © Lutz Voigtländer |
|
Matthias Muche studied jazz trombone and composition at the Amsterdamse Hogeschool voor de Kunsten, the Rotterdams Conservatorium, and the Cologne Hochschule für Musik und Tanz. He also completed postgraduate studies in audiovisual media at the Kunsthochschule für Medien Cologne.
He works as a freelance instrumentalist in jazz and contemporary music, as an instrumental teacher, composer and improviser, and as a curator and artistic director of festivals and international artist encounters. Among other areas, the focus of his work includes interdisciplinary projects in music, theater, dance and video art, in which intermedia compositional concepts are explored, and with which he has performed in over 50 countries under the label Zeitkunst e.V., as well as teaching master classes and workshops.His compositions and improvisations bring together these very different influences and tell a wide variety of musical stories.In his new solo project, he uses a wide variety of playing setups: feeds of speech and soundscapes into and on the trombone, spatial expansion using external bells, interactive computer graphics as synaesthetic perception, or simply the pure, naked trombone. In 2021, Muche will receive the Jazz Prize of the WDR in the category Improvisation. |
1CD | III Edition | Instrumental | Jazz |
|
|
|
| Recommendation |
|
|
|
|
“A man is only fully a human being when he plays.” (Friedrich Schiller)  |
|
|
|
|
|
| Wolfgang Mitterer - two-time recipient of Austrian Film Music Award - hereby presents his “temp tracks” (music that serves as a preliminary soundtrack for films). |
|
|
|
|
|
| An adventurous journey into into the vastness of fantasy: orient meets occident. |
|
|
