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Giacinto Scelsi
Flute & Clarinet |
| 1 |
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Piccola Suite- I |
02:15 |
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| 2 |
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II |
01:40 |
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| 3 |
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III |
02:20 |
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| 4 |
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IV |
01:30 |
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| 5 |
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Quays |
02:08 |
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| 6 |
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Preghiera per un´ombra |
07:52 |
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| 7 |
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Pwyll |
03:46 |
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| 8 |
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Rucke di guck- I |
02:15 |
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| 9 |
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II |
02:36 |
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| 10 |
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III |
03:24 |
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| 11 |
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Ko-Lho- I |
03:06 |
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| 12 |
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II |
02:40 |
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| 13 |
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Tre studi- I |
02:30 |
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| 14 |
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II |
02:40 |
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| 15 |
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III |
03:08 |
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| 16 |
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Xnoybis-I |
03:15 |
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| 17 |
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II |
03:23 |
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| 18 |
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III |
03:47 |
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| 19 |
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Krishna e radha |
03:30 |
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| 20 |
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Maknongan |
04:01 |
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| 21 |
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L´ame ouverte |
03:55 |
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| 22 |
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L´ame ailée |
05:25 |
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Total Time |
01:11:06 |
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| Digital Booklet - only with album |
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| Recommendation |
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Nono’s first work for orchestra, the Variazioni canoniche (1950) based on Schönberg, already comprises the bases of his late works, such as No hay caminos... (1987).  |
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| “The building blocks upon which your tradition rests“: Cristóbal Halffter brings together Spanish, Sephardic and Arabic texts in his Siete cantos de España. |
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| A chamber music cosmos with a romantic key impulse: from the sunrise in Aurora to the lament for the dead in Threnos IV and the reawakened memory in Memorare. |
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